No amount of money, and no small amount of time, can buy taste.

Steve Ballmer via Marco Arment

Taste is like a language: those who know it understand you, those who don’t, never will. Taste is one of those black and white concepts: you either have it or you don’t. No middle grounds. Can you develop it? Yes. (Although aesthetic taste is something you’re born with). Does it make a difference in life? Yes. Always. Can you copy it? No. Never.

I love this photo.

From left to right. George Nelson, Edward Wormley, Eero Saarinen, Harry Bertoia, Charles Eames and Jens Risom.

Playboy Magazine July issue, 1961. It couldn’t be anywhere else.

You can read the original article here.

Lucky for us though, Canal+ Spain will premiere the film sometime in May. Take note of the date because this one’s definitely not worth missing. The amount of archive material these men had access to is astonishing and the way Jason Cohn’s script interweaves private and public aspects of their lives, pretty enlightening.

But, movie-aspects aside, this is a great opportunity to revisit the Eames’ work and, especially, their philosophy. El Pais’ Anatxu Zabalbeascoa did a pretty good job at grasping what this event was all about in her article a few weeks ago: Eames for times of crisis. Charles and Ray taught us that difficult times are a great opportunity to change things: to do more and better.

They injected some of this ‘good design is good business’ mantra in companies like Herman Miller, IBM and Polaroid but they also engrained this in future generations of designers. Like us. Many years after them. This is the main reason why we decided to do this event in the first place and share it with the people we respect. For those of you who came: thank you. This is the first time we do something like this. Hopefully it won’t be the last.

We’d also like to thank the great team behind us in this event: Pelayo and Marta. And Vitra Spain for their generosity.

The first time I saw Robert Frank‘s photos for his project ‘The Americans‘ I got a glimpse of the connection between exhausting road trips and great photographs. Perhaps it has to do with the lack of sleep, the lack of good food, the monotony of endless roads that push your body –and your head– to the limit. After all, extreme fatigue does develop a sense of acute awareness and sensitivity that’s difficult to replicate with non-chemical (and may I say, legal) substances.

Unlike Frank’s compilation, Tina Bagué and Tori Morimoto‘s Japan Photo Project is less about Japanese society and more about the culture and beautiful landscapes of the country, less about capturing instants and more about knowing the right towns. But the veil of fatigueness-channeled perception is there. No question about it.

Plus, the JPP blog is the perfect traveller’s guide. In 365 days they visit all sorts of towns and meet all sorts of people. Next time I’m in the country, I’ll be sure to throw away my Lonely Planet and instead, read their blog carefully and save every single stop in a map.

A compilation of the photographs has recently been published. The book is called, ‘Japan’. Published in collaboration with the Catalan publisher, The Private Space, Japan’s first edition is officially sold out but, after December 8th you’ll be able to order the book here.

Only two companies were featured in RTVE‘s (a Spanish national TV channel) coverage of FICOD (Spain’s most acclaimed forum for digital content) last night. We’re proud to say both of them are Vostok’s clients with whom we’ve been working and desigining together for some time now.

Are we bragging? You bet. It’s not every day that two products you did strategy and design for receive this kind of offline attention. We’re thrilled. Kudos to Filmin and Minube

You can watch it online here.

Jean Prouvé was once quoted saying: never design anything that cannot be made. Part designer, part architect he always conceived himself primarily as a craftsman, a builder. In Norman Foster‘s own words, in Prouvé’s work “technical imagination is placed at the service of function and economy”.

And that’s infinitely apparent when you understand the thought process behind his first attempts at prefabrication. How to produce furnishings and components that were simple to ship and easy to erect? How to create structures that were both solid and adaptable; temporary and long-lasting? Simple: modular design. His structures tended to be light, flexible, and even mobile, combining traditional building materials with aluminum and steel.

At the time, Mr. Prouvé was revolutionizing the concept of construction so he went back to the basics. He kew that if he was to create a new language, he first needed to devise an alphabet and that’s what he did, he created “L’alphabet des structures”. Because once you devise the basic elements of a system, it doesn’t matter what the future holds; you’ll know what to do, how to react.

Most of the problems we face as designers today aren’t new so it’s always refreshing and inspiring to see how others have tackled them before. And then it’s just a matter of learning, adapting and applying.

If you have a chance, Industrial Beauty (though I like the name in Spanish better, Belleza Fabricada), is an exhibition at Ivory Press Madrid of some of Prouvé’s most significant work, including drawings, sketches and furniture. It will be open until November 12th.

For an overview of some of his work, this Flickr compilation is a good start.

It’s quite discouraging to see so many failed attempts at adapting a product as important to society as newspapers that we felt we needed to ask the guy to go to for this subject to share his thoughts on what has changed, what newspapers are doing to adapt and why their changes are so timid. We encourage you to watch the full-length interview in case you want more information or, like me, are just curious about the man. If not, here’s a good 4min compilation of snippets of the most important things we touched on.

On a side note… One of Vostok‘s dream jobs would be, without a doubt, to design an online newspaper. It would also be one of our worst job nightmares…You have to deal with infinite layers and inevitable complex structures, not to mention the frustration of having to play by the rules when you know the rules are no longer valid. It’s not an easy task. You can read a compilation of what our stance is when it comes to online news design here.

Agree? Not agree? Let us know what you think.

Bernardo, for those of you who don’t know him already, is Worldwide Director of Emerging Products at Google.

Website credits:
Vostok has done the design, Pep Gómez has supervised the implementation and Jorge González from Wakalaka has done the mockup and CSS.

www.bernardohernandez.com